Mr. Tai Bai wrote in "Questions and Answers in the Mountains" ‌ : "I ask what I wish to rest in the green mountains; I smile but do not answer, and my heart is at ease." The peach blossoms and flowing water fade away; there is a different world, not the human world ‌‌. It sketches out the life of a hermit in seclusion and his relaxed state of mind in the form of questions and answers.

Wudang Huayang Rock bears the thousand-year-old dialogue between hermits and the world. During the Yuan Dynasty, Taoists of Huayang secluded themselves from the world to practice meditation. They refused to be prominent outside the rocks and used the mountain mist to purify the mundane world. Li Mingliang, a Taoist of Wudang, opened up rocks to recruit talents and delved deeply into the principles of the I Ching within a small space. He even engraved his insights on obsidian as a mirror to reflect his mind. The jade carvings within the rock exude the glory of the royal family, facing the deep and secluded mica rock, just like the two different worlds of the mundane and the mundane.

Half a scroll of elixir scriptures, half a wall lamp, half hidden in the clouds and half veiled in the dust. When the sunlight pierces through the vines of Huayang Rock, people gradually realize that the true essence of Taoism does not lie in the debate between seclusion and engagement in the world, but in transforming loneliness into a cauldron that connects heaven and earth. Isn't Li Mingliang's self-portrait a microcosm of a hermit? Those mica rock silver lines with water marks are just like the secrets they left for future generations: those who practice meditation take the mountains as their bones, and those who spread the Tao take literature as their muscles, jointly composing a harmonious symphony of mountains and rivers: "The bright moon shines among the pines, and the clear spring flows over the rocks."